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1. Shomeke

My dear friend has asked me to write the story of my life, thinking it might be of interest to people of other worlds and times. I am an ordinary woman, but I have lived in years of mighty changes and have been advantaged to know with my very flesh the nature of servitude and the nature of freedom.

I did not learn to read or write until I was a grown woman, which is all the excuse I will make for the faults of my narrative.

I was born a slave on the planet Werel. As a child I was called Shomekes' Radosse Rakam. That is, Property of the Shomeke Family, Granddaughter of Dosse, Granddaughter of Kamye. The Shomeke family owned an estate on the eastern coast of Voe Deo. Dosse was my grandmother. Kamye is the Lord God.

The Shomekes possessed over four hundred assets, mostly used to cultivate the fields of gede, to herd the salt-grass cattle, in the mills, and as domestics in the House. The Shomeke family had been great in history. Our Owner was an important man politically, often away in the capital.

Assets took their name from their grandmother because it was the grandmother that raised the child. The mother worked all day, and there was no father. Women were always bred to more than one man. Even if a man knew his child he could not care for it. He might be sold or traded away at any time. Young men were seldom kept long on the estates. If they were valuable they were traded to other estates or sold to the factories. If they were worthless they were worked to death.

Women were not often sold. The young ones were kept for work and breeding, the old ones to raise the young and keep the compound in order. On some estates women bore a baby a year till they died, but on ours most had only two or three children. The Shomekes valued women as workers. They did not want the men always getting at the women. The grandmothers agreed with them and guarded the young women closely.

I say men, women, children, but you are to understand that we were not called men, women, children. Only our owners were called so. We assets or slaves were called bondsmen, bondswomen, and pups or young. I will use these words, though I have not heard or spoken them for many years, and never before on this blessed world.

The bondsmen's part of the compound, the gateside, was ruled by the Bosses, who were men, some relations of the Shomeke family, others hired by them. On the inside the young and the bondswomen lived. There two cutfrees, castrated bondsmen, were the Bosses in name, but the grandmothers ruled. Indeed nothing in the compound happened without the grandmothers' knowledge.

If the grandmothers said an asset was too sick to work, the Bosses would let that one stay home. Sometimes the grandmothers could save a bondsman from being sold away, sometimes they could protect a girl from being bred by more than one man, or could give a delicate girl a contraceptive. Everybody in the compound obeyed the counsel of the grandmothers. But if one of them went too far, the Bosses would have her flogged or blinded or her hands cut off. When I was a young child, there lived in our compound a woman we called Great-Grandmother, who had holes for eyes and no tongue. I thought that she was thus because she was so old. I feared that my grandmother Dosse's tongue would wither in her mouth. I told her that. She said, "No. It won't get any shorter, because I don't let it get too long."

I lived in the compound. My mother birthed me there, and was allowed to stay three months to nurse me; then I was weaned to cow's milk, and my mother returned to the House. Her name was Shomekes' Rayowa Yowa. She was light-skinned like most of the assets, but very beautiful, with slender wrists and ankles and delicate features. My grandmother too was light, but I was dark, darker than anybody else in the compound.

My mother came to visit, the cutfrees letting her in by their ladder-door. She found me rubbing grey dust on my body. When she scolded me, I told her that I wanted to look like the others.

"Listen, Rakam," she said to me, "they are dust people. They'll never get out of the dust. You're something better. And you will be beautiful. Why do you think you're so black?" I had no idea what she meant. "Some day I'll tell you who your father is, " she said, as if she were promising me a gift. I had watched when the Shomekes' stallion, a prized and valuable animal, serviced mares from other estates. I did not know a father could be human.

That evening I boasted to my grandmother: "I'm beautiful because the black stallion is my father!" Dosse struck me across the head so that I fell down and wept. She said, "Never speak of your father."

I knew there was anger between my mother and my grandmother, but it was a long time before I understood why. Even now I am not sure I understand all that lay between them.

We little pups ran around in the compound. We knew nothing outside the walls. All our world was the bondswomen's huts and the bondsmen's longhouses, the kitchens and kitchen gardens, the bare plaza beaten hard by bare feet. To me, the stockade wall seemed a long way off.

When the field and mill hands went out the gate in the early morning I didn't know where they went. They were just gone. All day long the whole compound belonged to us pups, naked in the summer, mostly naked in the winter too, running around playing with sticks and stones and mud, keeping away from grandmothers, until we begged them for something to eat or they put us to work weeding the gardens for a while.

In the evening or the early night the workers would come back, trooping in the gate guarded by the Bosses. Some were worn out and grim, others would be cheerful and talking and calling back and forth. The great gate was slammed behind the last of them. Smoke went up from all the cooking stoves. The burning cow dung smelled sweet. People gathered on the porches of the huts and longhouses. Bondsmen and bondswomen lingered at the ditch that divided the gateside from the inside, talking across the ditch. After the meal the freedmen led prayers to Tual's statue, and we lifted our own prayers to Kamye, and then people went to their beds, except for those who lingered to "jump the ditch. " Some nights, in the summer, there would be singing, or a dance was allowed. In the winter one of the grandfathers-poor old broken men, not strong people like the grandmothers-would "sing the word." That is what we called reciting the Arkamye. Every night, always, some of the people were teaching and others were learning the sacred verses. On winter nights one of these old worthless bondsmen kept alive by the grandmothers' charity would begin to sing the word. Then even the pups would be still to listen to that story.

The friend of my heart was Walsu. She was bigger than I, and was my defender when there were fights and quarrels among the young or when older pups called me "Blackie" and "Bossie. " I was small but had a fierce temper. Together, Walsu and I did not get bothered much. Then Walsu was sent out the gate. Her mother had been bred and was now stuffed big, so that she needed help in the fields to make her quota. Gede must be hand harvested. Every day as a new section of the bearing stalk comes ripe it has to be picked, and so gede pickers go through the same field over and over for twenty or thirty days, and then move on to a later planting. Walsu. went with her mother to help her pick her rows. When her mother fell ill, Walsu. took her place, and with help from other hands she kept up her mother's quota. She was then six years old by owner's count, which gave all assets the same birthday, new year's day at the beginning of spring. She might have truly been seven. Her mother remained ill both before birthing and after, and Walsu took her place in the gede field all that time. She never afterward came back to play, only in the evenings to eat and sleep. I saw her then and we could talk. She was proud of her work. I envied her and longed to go through the gate. I followed her to it and looked through it at the world. Now the walls of the compound seemed very close.

I told my grandmother Dosse that I wanted to go to work in the fields.

"You're too young."

"I'll be seven at the new year."

"Your mother made me promise not to let you go out."

Next time my mother visited the compound, I said, "Grandmother won't let me go out. I want to go work with Walsu. "

"Never," my mother said. "You were born for better than that."

"What for?"

"You'll see."

She smiled at me. I knew she meant the House, where she worked. She had told me often of the wonderful things in the House, things that shone and were colored brightly, things that were thin and delicate, clean things. It was quiet in the House, she said. My mother herself wore a beautiful red scarf, her voice was soft, and her clothing and body were always clean and fresh.

"When will I see?"

I teased her until she said, "All right! I'll ask my lady."

"Ask her what?"

All I knew of my-lady was that she too was delicate and clean, and that my mother belonged to her in some particular way, of which she was proud. I knew my-lady had given my mother the red scarf.

"I'll ask her if you can come begin training at the House."

My mother said "the House" in a way that made me see it as a great sacred place like the place in our prayer: May I enter in the clear house, in the rooms of peace.

I was so excited I began to dance and sing, "I'm going to the House, to the House!" My mother slapped me to make me stop and scolded me for being wild. She said, "You are too young! You can't behave! If you get sent away from the House you can never come back."

I promised to be old enough.

"You must do everything right," Yowa told me. "You must do everything I say when I say it. Never question. Never delay. If my lady sees that you're wild, she'll send you back here. And that will be the end of you forever."

I promised to be tame. I promised to obey at once in everything, and not to speak. The more frightening she made it, the more I desired to see the wonderful, shining House.

When my mother left I did not believe she would speak to my-lady. I was not used to promises being kept. But after some days she returned, and I heard her speaking to my grandmother. Dosse was angry at first, speaking loudly. I crept under the window of the hut to listen. I heard my grandmother weep. I was frightened and amazed. My grandmother was patient with me, always looked after me, and fed me well. It had never entered my mind that there was anything more to it than that, until I heard her crying. Her crying made me cry, as if I were part of her.

"You could let me keep her one more year," she said. "She's just a baby. I would never let her out the gate. " She was pleading, as if she were powerless, not a grandmother. "She is my joy, Yowa!"

"Don't you want her to do well, then?"

"Just a year more. She's too wild for the House."

"She's run wild too long. She'll get sent out to the fields if she stays. A year of that and they won't have her at the House. She'll be dust. Anyhow, there's no use crying about it. I asked my lady, and she's expected. I can't go back without her."

"Yowa, don't let her come to harm," Dosse said very low, as if ashamed to say this to her daughter, and yet with strength in her voice.

"I'm taking her to keep her out of harm, " my mother said. Then she called me, and I wiped my tears and came.

It is queer, but I do not remember my first walk through the world outside the compound or my first sight of the House. I suppose I was frightened and kept my eyes down, and everything was so strange to me that I did not understand what I saw. I know it was a number of days before my mother took me to show me to Lady Tazeu. She had to scrub me and train me and make sure I would not disgrace her. I was terrified when at last she took my hand, scolding me in a whisper all the time, and brought me out of the bondswomen's quarters, through halls and doorways of painted wood, into a bright, sunny room with no roof, full of flowers growing in pots.

I had hardly ever seen a flower, only the weeds in the kitchen gardens, and I stared and stared at them. My mother had to jerk my hand to make me look at the woman lying in a chair among the flowers, in clothes soft and brightly colored like the flowers. I could hardly tell them apart. The woman's hair was long and shining, and her skin was shining and black. My mother pushed me, and I did what she had made me practice over and over: I went and knelt down beside the chair and waited, and when the woman put out her long, narrow, soft hand, black above and azure on the palm, I touched my forehead to it. I was supposed to say "I am your slave Rakain, Ma'am," but my voice would not come out.

"What a pretty little thing," she said. "So dark." Her voice changed little on the last words.

"The Bosses came in … that night," Yowa said in a timid, smiling way, looking down as if embarrassed.

"No doubt about that," the woman said. I was able to glance up at her again. She was beautiful. I did not know a person could be so beautiful. I think she saw my wonder. She put out her long, soft hand again and caressed my cheek and neck. "Very, very pretty, Yowa," she said. "You did quite right to bring her here. Has she been bathed?"

She would not have asked that if she had seen me when I first came, filthy and smelling of the cowdung we made our fires with. She knew nothing of the compound at all. She knew nothing beyond the beza, the women's side of the House. She was kept there just as I had been kept in the compound, ignorant of anything outside. She had never smelled cow dung, as I had never seen flowers.

My mother assured her I was clean, and she said, "Then she can come to bed with me tonight. I'd like that. Will you like to come sleep with me, pretty little-" She glanced at my mother, who murmured, "Rakam. " Ma'am pursed her lips at the name. "I don't like that," she murmured. "So ugly. Toti. Yes. You can be my new Toti. Bring her this evening, Yowa. "

She had had a foxdog called Toti, my mother told me. Her pet had died. I did not know animals ever had names, and so it did not seem odd to me to be given an animal's name, but it did seem strange at first not to be Rakam. I could not think of myself as Toti.

That night my mother bathed me again and oiled my skin with sweet oil and dressed me in a soft gown, softer even than her red scarf. Again she scolded and warned me, but she was excited, too, and pleased with me, as we went to the beza again, through other halls, meeting some other bondswomen on the way, and to the lady's bedroom. It was a wonderful room, hung with mirrors and draperies and paintings. I did not understand what the mirrors were, or the paintings, and was frightened when I saw people in them. Lady Tazeu saw that I was frightened. "Come, little one," she said, making a place for me in her great, wide, soft bed strewn with pillows, I I come and cuddle up." I crawled in beside her, and she stroked my hair and skin and held me in her warm, soft arms until I was comfortable and at ease. "There, there, little Toti," she said, and so we slept.

I became the pet of Lady Tazeu Wehoma Shomeke. I slept with her almost every night. Her husband was seldom home and when he was there did not come to her, preferring bondswomen for his pleasure. Sometimes she had my mother or other, younger bondswomen come into her bed, and she sent me away at those times, until I was older, ten or eleven, when she began to keep me and have me join in with them, teaching me how to be pleasured. She was gentle, but she was the mistress in love, and I was her instrument which she played.

I was also trained in household arts and duties. She taught me to sing with her, as I had a true voice. All those years I was never punished and never made to do hard work. I who had been wild in the compound was perfectly obedient in the Great House. I had been rebellious to my grandmother and impatient of her commands, but whatever my lady ordered me to do I gladly did. She held me fast to her by the only kind of love she had to give me. I thought that she was the Merciful Tual come down upon the earth. That is not a way of speaking, that is the truth. I thought she was a higher being, superior to myself.

Perhaps you will say that I could not or should not have had pleasure in being used without my consent by my mistress, and if I did I should not speak of it, showing even so little good in so great an evil. But I knew nothing of consent or refusal. Those are freedom words.

She had one child, a son, three years older than I. She lived quite alone among us bondswomen. The Wehomas were nobles of the Islands, oldfashioned people whose women did not travel, so she was cut off from her family. The only company she had was when Owner Shomeke brought friends with him from the capital, but those were all men, and she could be with them only at table.

I seldom saw the Owner and only at a distance. I thought he too was a superior being, but a dangerous one.

As for Erod, the Young Owner, we saw him when he came to visit his mother daily or when he went out riding with his tutors. We girls would peep at him and giggle to each other when we were eleven or twelve, because he was a handsome boy, nightblack and slender like his mother. I knew that he was afraid of his father, because I had heard him weep when he was with his mother. She would comfort him with candy and caresses, saying, "He'll be gone again soon, my darling." I too felt sorry for Erod, who was like a shadow, soft and harmless. He was sent off to school for a year at fifteen, but his father brought him back before the year was up. Bondsmen told us the Owner had beaten him cruelly and had forbidden him even to ride off the estate.

Bondswomen whom the Owner used told us how brutal he was, showing us where he had bruised and hurt them. They hated him, but my mother would not speak against him. "Who do you think you are?" she said to a girl who was complaining of his use of her. "A lady to be treated like glass?" And when the girl found herself pregnant, stuffed was the word we used, MY mother had her sent back to the compound. I did not understand why. I thought Yowa was hard and jealous. Now I think she was also protecting the girl from our lady's jealousy.

I do not know when I understood that I was the Owner's daughter. Because she had kept that secret from our lady, my mother believed it was a secret from all. But the bondswomen all knew it. I do not know what I heard or overheard, but when I saw Erod, I would study him and think that I looked much more like our father than he did, for by then I knew what a father was. And I wondered that Lady Tazeu did not see it. But she chose to live in ignorance.

During these years I seldom went to the compound. After I had been a half year or so at the House, I was eager to go back and see Walsu and my grandmother and show them my fine clothes and clean skin and shining hair; but when I went, the pups I used to play with threw dirt and stones at me and tore my clothes. Walsu was in the fields. I had to hide in my grandmother's hut all day. I never wanted to go back. When my grandmother sent for me, I would go only with my mother and always stayed close by her. The people in the compound, even my grandmother, came to look coarse and foul to me. They were dirty and smelled strongly. They had sores, scars from punishment, lopped fingers, ears, or noses. Their hands and feet were coarse, with deformed nails. I was no longer used to people who looked so. We domestics of the Great House were entirely different from them, I thought. Serving the higher beings, we became Re then.

When I was thirteen and fourteen Lady Tazeu still kept me in her bed, making love to me often. But also she had a new pet, the daughter of one of the cooks, a pretty little girl though white as clay. One night she made love to me for a long time in ways that she knew gave me great ecstasy of the body. When I lay exhausted in her arms she whispered "goodbye, goodbye," kissing me all over my face and breasts. I was too spent to wonder at this.

The next morning my lady called in my mother and myself to tell us that she intended to give me to her son for his seventeenth birthday. "I shall miss you terribly, Toti darling," she said, with tears in her eyes. "You have been my joy. But there isn't another girl on the place that I could let Erod have. You are the cleanest, dearest, sweetest of them all. I know you are a virgin," she meant a virgin to men, "and I know my boy will enjoy you. And he'll be kind to her, Yowa, " she said earnestly to my mother. My mother bowed and said nothing. There was nothing she could say. And she said nothing to me. It was too late to speak of the secret she had been so proud of.

Lady Tazeu gave me medicine to prevent conception, but my mother, not trusting the medicine, went to my grandmother and brought me contraceptive herbs. I took both faithfully that week.

If a man in the House visited his wife he came to the beza, but if he wanted a bondswoman she was "sent across." So on the night of the Young Owner's birthday I was dressed all in red and led over, for the first time in my life, to the men's side of the House.

My reverence for my lady extended to her son, and I had been taught that owners were superior by nature to us. But he was a boy whom I had known since childhood, and I knew that his blood and mine were half the same. It gave me a strange feeling toward him.

I thought he was shy, afraid of his manhood. Other girls had tried to tempt him and failed. The women had told me what I was to do, how to offer myself and encourage him, and I was ready to do that. I was brought to him in his great bedroom, all of stone carved like lace, with high, thin windows of violet glass. I stood timidly near the door for a while, and he stood near a table covered with papers and screens. He came forward at last, took my hand, and led me to a chair. He made me sit down, and spoke to me standing, which was A improper, and confused my mind.

"Rakam," he said-that's your name, isn't it?"-l nodded-"Rakam, my mother means only kindness, and you must not think me ungrateful to her, or blind to your beauty. But I will not take a woman who cannot freely offer herself. Intercourse between owner and slave is rape." And he talked on, talking beautifully, as when my lady read aloud from one of her books. I did not understand much, except that I was to come whenever he sent for me and sleep in his bed, but he would never touch me. And I was not to speak of this to anyone. "I am sorry, I am very sorry to ask you to lie," he said, so earnestly that I wondered if it hurt him to lie. That made him seem more like a god than a human being. If it hurt to lie, how could you stay alive?

"I will do just as you say, Lord Erod," I said.

So, most nights, his bondsmen came to bring me across. I would sleep in his great bed, while he worked at the papers on his table. He slept on a couch beneath the windows. Often he wanted to talk to me, sometimes for a long time, telling me his ideas. When he was in school in the capital he had become a member of a group of owners who wished to abolish slavery, called The Community. Getting wind of this, his father had ordered him out of school, sent him home, and forbidden him to leave the estate. So he too was a prisoner. But he corresponded constantly with others in The Community through the net, which he knew how to operate without his father's knowledge, or the government's.

His head was so full of ideas he had to speak them. Often Geu and Ahas, the young bondsmen who had grown up with him, who always came to fetch me across, stayed with us while he talked to all of us about slavery and freedom and many other things. Often I was sleepy, but I did listen, and heard much I did not know how to understand or even believe. He told us there was an organization among assets, called the Hame, that worked to steal slaves from the plantations. These slaves would be brought to members of The Community, who would make out false papers of ownership and treat them well, renting them to decent work in the cities. He told us about the cities, and I loved to hear all that. He told us about Yeowe Colony, saying that there was a revolution there among the slaves.

Of Yeowe I knew nothing. It was a great blue-green star that set after the sun or rose before it, brighter than the smallest of the moons. It was a name in an old song they sang in the compound:

O, o, Ye-o-we,

Nobody never comes back.

I had no idea what a revolution was. When Erod told me that it meant that assets on plantations in this place called Yeowe were fighting their owners, I did not understand how assets could do that. From the beginning it was ordained that there should be higher and lower beings, the Lord and the human, the man and the woman, the owner and the owned. All my world was Shomeke Estate and it stood on that one foundation. Who would want to overturn it? Everyone would be crushed in the ruins.

I did not like Erod to call assets slaves, an ugly word that took away our value. I decided in my mind that here on Werel we were assets, and in that other place, Yeowe Colony, there were slaves, worthless bondspeople, intractables. That was why they had been sent there. It made good sense.

By this you know how ignorant I was. Sometimes Lady Tazeu had let us watch shows on the holonet with her, but she watched only dramas, not the reports of events. Of the world beyond the estate I knew nothing but what I learned from Erod, and that I could not understand.

Erod liked us to argue with him. He thought it meant our minds were growing free. Geu was good at it. He would ask questions like, "But if there's no assets who'll do the work?" Then Erod could answer at length. His eyes shone, his voice was eloquent. I loved him very much when he talked to us. He was beautiful and what he said was beautiful. It was like hearing the old men "singing the word," reciting the Arkamye, when I was a little pup in the compound.

I gave the contraceptives my lady gave me every month to girls who needed them. Lady Tazeu had aroused my sexuality and accustomed me to being used sexually. I missed her caresses. But I did not know how to approach any of the bondswomen, and they were afraid to approach me, since I belonged to the Young Owner. Being with Erod often, while he talked I yearned to him in my body. I lay in his bed and dreamed that he came and stooped over me and did with me as my lady used to do. But he never touched me.

Geu also was a handsome young man, clean and well-mannered, rather dark-skinned, attractive to me. His eyes were always on me. But he would not approach me, until I told him that Erod did not touch me.

Thus I broke my promise to Erod not to tell anyone; but I did not think myself bound to keep promises, as I did not think myself bound to speak the truth. Honor of that kind was for owners, not for us.

After that, Geu used to tell me when to meet him in the attics of the House. He gave me little pleasure. He would not penetrate me, believing that he must save my virginity for our master. He had me take his penis in my mouth instead. He would turn away in his climax, for the slave's sperm must not defile the master's woman. That is the honor of a slave.

Now you may say in disgust that my story is all of such things, and there is far more to life, even a slave's life, than sex. That is very true. I can say only that it may be in our sexuality that we are most easily enslaved, both men and women. It may be there, even as free men and women, that we find freedom hardest to keep. The politics of the flesh are the roots of power.

I was young, full of health and desire for joy. And even now, even here, when I look back across the years from this world to that, to the compound and the House of Shomeke, I see images like those in a bright dream. I see my grandmother's big, hard hands. I see my mother smiling, the red scarf about her neck. I see my lady's black, silky body among the cushions. I smell the smoke of the cowdung fires, and the perfumes of the beza. I feel the soft, fine clothing on my young body, and my lady's hands and lips. I hear the old men singing the word, and my voice twining with my lady's voice in a love song, and Erod telling us of freedom. His face is illuminated with his vision. Behind him the windows of stone lace and violet glass keep out the night. I do not say I would go back. I would die before I would go back to Shomeke. I would die before I left this free world, my world, to go back to the place of slavery. But whatever I knew in my youth of beauty, of love, and of hope, was there.

And there it was betrayed. All that is built upon that foundation in the end betrays itself.

I was sixteen years old in the year the world changed.

The first change I heard about was of no interest to me except that my lord was excited about it, and so were Geu and Ahas and some of the other young bondsmen. Even my grandmother wanted to hear about it when I visited her. "That Yeowe, that slave world," she said, "they made freedom? They sent away their owners? They opened the gates? My lord, sweet Lord Kamye, how can that be? Praise his name, praise his marvels!" She rocked back and forth as she squatted in the dust, her arms about her knees. She was an old, shrunken woman now. "Tell me!" she said.

I knew little else to tell her. "All the soldiers came back here," I said. "And those other people, those alemens, they're there on Yeowe. Maybe they're the new owners. That's all somewhere way out there," I said, flipping my hand at the sky.

"What's alemens?" my grandmother asked, but I did not know. It was all mere words to me.

But when our Owner, Lord Shomeke, came home sick, that I understood. He came on a flyer to our little port. I saw him carried by on a stretcher, the whites showing in his eyes, his black skin mottled grey. He was dying of a sickness that was ravaging the cities. My mother, sitting with Lady Tazeu, saw a politician on the net who said that the alemens had brought the sickness to Werel. He talked so fearsomely that we thought everybody was going to die. When I told Geu about it he snorted. "Aliens, not alemens," he said, "and they've got nothing to do with it. My lord talked with the doctors. It's just a new kind of pusworm. "

That dreadful disease was bad enough. We knew that any asset found to be infected with it was slaughtered at once like an animal and the corpse burned on the spot.

They did not slaughter the Owner. The House filled with doctors, and Lady Tazeu spent day and night by her husband's bed. It was a cruel death. It went on and on. Lord Shomeke in his suffering made terrible sounds, screams, howls. One would not believe a man could cry out hour after hour as he did. His flesh ulcerated and fell away, he went mad, but he did not die.

As Lady Tazeu became like a shadow, warm and silent, Erod filled with strength and excitement. Sometimes when we heard his father howling his eyes would shine. He would whisper, "Lady Tual have mercy on him," but he fed on those cries. I knew from Geu and Ahas, who had been brought up with him, how the father had tormented and despised him, and how Erod had vowed to be everything his father was not and to undo all he did.

But it was Lady Tazeu who ended it. One night she sent away the other attendants, as she often did, and sat alone with the dying man. When he began his moaning howl, she took her little sewing-knife and cut his throat. Then she cut the veins in her arms across and across, and lay down by him, and so died. My mother was in the next room all night. She said she wondered a little at the silence, but was so weary that she fell asleep; and in the morning she went in and found them lying in their cold blood.

All I wanted to do was weep for my lady, but everything was in confusion. Everything in the sickroom must be burned, the doctors said, and the bodies must be burned without delay. The House was under quarantine, so only the priests of the House could hold the funeral. No one was to leave the estate for twenty days. But several of the doctors themselves left when Erod, who was now Lord Shomeke, told them what he intended to do. I heard some confused word of it from Ahas, but in my grief I paid little heed.

That evening, all the House assets stood outside the Lady's Chapel during the funeral service to hear the songs and prayers within. The Bosses and cutfrees had brought the people from the compound, and they stood behind us. We saw the procession come out, the white biers carried by, the pyres lighted, and the black smoke go up. Long before the smoke ceased rising, the new Lord Shomeke came to us all where we stood.

Erod stood up on the little rise of ground behind the chapel and spoke in a strong voice such as I had never heard from him. Always in the House it had been whispering in the dark. Now it was broad day and a strong voice. He stood there black and straight in his white mourning clothes. He was not yet twenty years old. He said, "Listen, you people: you have been slaves, you will be free. You have been my property, you will own your own lives now. This morning I sent to the Government the Order of Manumission for every asset on the estate, four hundred and eleven men, women, and children. If you will come to my office in the Counting House in the morning, I will give you your papers. Each of you is named in those papers as a free person. You can never be enslaved again. You are free to do as you please from tomorrow on. There will be money for each one of you to begin your new life with. Not what you deserve, not what you have earned in all your work for us, but what I have to give you. I am leaving Shomeke. I will go to the capital, where I will work for the freedom of every slave on Werel. The Freedom Day that came to Yeowe is coming to us, and soon. Any of you who wish to come with me, come! There's work for us all to do!"

I remember all he said. Those are his words as he spoke them. When one does not read and has not had one's mind filled up by the images on the nets, words spoken strike down deep in the mind.

There was such a silence when he stopped speaking as I had never heard.

One of the doctors began talking, protesting to Erod that he must not break the quarantine.

"The evil has been burned away," Erod said, with a great gesture to the black smoke rising. "This has been an evil place, but no more harm will go forth from Shomeke!"

At that a slow sound began among the compound people standing behind us, and it swelled into a great noise of jubilation mixed with wailing, crying, shouting, singing. "Lord Kamye! Lord Kamye!" the men shouted. An old woman came forward: my grandmother. She strode through us House assets as if we were a field of grain. She stopped a good way from Erod. People fell silent to listen to the grandmother. She said, "Lord Master, are you turning us out of our homes?"

"No," he said. "They are yours. The land is yours to use. The profit of the fields is yours. This is your home, and you are free!"

At that the shouts rose up again so loud I cowered down and covered my ears, but I was crying and shouting too, praising Lord Erod and Lord Kamye in one voice with the rest of them.

We danced and sang there in sight of the burning pyres until the sun went down. At last the grandmothers and the freedmen got the people to go back to the compound, saying they did not have their papers yet. We domestics went straggling back to the House, talking about tomorrow, when we would get our freedom and our money and our land.

All that next day Erod sat in the Counting House and made out the papers for each slave and counted out the same amount of money for each: a hundred kue in cash, and a draft for five hundred kue on the district bank, which could not be drawn for forty days. This was, he explained to each one, to save them from exploitation by the unscrupulous before they knew how best to use their money. He advised them to form a cooperative, to pool their funds, to run the estate democratically. "Money in the bank, Lord!" an old crippled man came out crying, jigging on his twisted legs. "Money in the bank, Lord! "

If they wanted, Erod said over and over, they could save their money and contact the Hame, who would help them buy passage to Yeowe with it.

"O, o, Ye-o-we," somebody began singing, and they changed the words:

"Everybody's going to go.

O, o, Ye-o-we,

Everybody's going to go!"

They sang it all day long. Nothing could change the sadness of it. I want to weep now, remembering that song, that day.

The next morning Erod left. He could not wait to get away from the place of his misery and begin his life in the capital working for freedom. He did not say goodbye to me. He took Geu and Ahas with him. The doctors and their aides and assets had all left the day before. We watched his flyer go up into the air.

We went back to the House. It was like something dead. There were no owners in it, no masters, no one to tell us what to do.

My mother and I went in to pack up our clothing. We had said little to each other, but felt we could not stay there. We heard other women running through the beza, rummaging in Lady Tazeu's rooms, going through her closets, laughing and screaming with excitement, finding jewelry and valuables. We heard men's voices in the hall: Bosses's voices. Without a word my mother and I took what we had in our hands and went out by a back door, slipped through the hedges of the garden, and ran all the way to the compound.

The great gate of the compound stood wide open.

How can I tell you what that was to us, to see that, to see that gate stand open? How can I tell you?

A Womans Liberation by Ursula K. Le Guin | A Woman's Liberation | 2. Zeskra