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I don't want to hurt you, said Donelly, shuffling and looking guilty, until Trager felt ashamed for having hurt a friend.

He touched her cheek, and she spun away from him.

I never wanted to hurt you, Josie said, and Trager was sad. She had given him so much; he'd only made her guilty. Yes, he was hurt, but a stronger man would never have let her know.

He touched her cheek, and she kissed his hand.

I'm sorry, I don't, Laurel said. And Trager was lost. What had he done, where was his fault, how had he ruined it? She had been so sure. They had had so much.

He touched her cheek, and she wept.

How many times can you speak them, his voice echoed, speak them and believe them, like you believed them the first time you said them?

The wind was dark and dust heavy, the sky throbbed painfully with flickering scarlet flame. In the pit, in the darkness, stood a young woman with goggles and a filtermask and short brown hair and answers. It breaks down, it breaks down, it breaks down, and they keep sending it out, she said. Should realize that something is wrong. After that many failures, it's sheer self-delusion to think the thing's going to work right next time out.

The enemy corpse is huge and black, its torso rippling with muscle, a product of months of exercise, the biggest thing that Trager has ever faced. It advances across the sawdust in a slow, clumsy crouch, holding the gleaming broadsword in one hand. Trager watches it come from his chair atop one end of the fighting arena. The other corpsemaster is careful, cautious.

His own deadman, a wiry blond, stands and waits, a morningstar trailing down in the blood-soaked arena dust. Trager will move him fast enough and well enough when the time is right. The enemy knows it, and the crowd.

The black corpse suddenly lifts its broadsword and scrambles forward in a run, hoping to use reach and speed to get its kill. But Trager's corpse is no longer there when the enemy's measured blow cuts the air where he had been.

Sitting comfortably above the fighting pit/down in the arena, his feet grimy with blood and sawdustTrager/the corpsesnaps the command/swings the morningstarand the great studded ball drifts up and around, almost lazily, almost gracefully. Into the back of the enemy's head, as he tries to recover and turn. A flower of blood and brain blooms swift and sudden, and the crowd cheers.

Trager walks his corpse from the arena, then stands to receive applause. It is his tenth kill. Soon the championship will be his. He is building such a record that they can no longer deny him a match.

She is beautiful, his lady, his love. Her hair is short and blond, her body very slim, graceful, almost athletic, with trim legs and small hard breasts. Her eyes are bright green, and they always welcome him. And there is a strange erotic innocence in her smile.

She waits for him in bed, waits for his return from the arena, waits for him eager and playful and loving. When he enters, she is sitting up, smiling for him, the covers bunched around her waist. From the door he admires her nipples.

Aware of his eyes, shy, she covers her breasts and blushes. Trager knows it is all false modesty, all playing. He moves to the bedside, sits, reaches out to stroke her cheek. Her skin is very soft; she nuzzles against his hand as it brushes her. Then Trager draws her hands aside, plants one gentle kiss on each breast, and a not-so-gentle kiss on her mouth. She kisses back, with ardor; their tongues dance.

They make love, he and she, slow and sensuous, locked together in a loving embrace that goes on and on. Two bodies move flawlessly in perfect rhythm, each knowing the other's needs. Trager thrusts, and his other body meets the thrusts. He reaches, and her hand is there. They come together (always, always, both orgasms triggered by the handler's brain), and a bright red flush burns on her breasts and earlobes. They kiss.

Afterwards, he talks to her, his love, his lady. You should always talk afterwards; he learned that long ago.

You're lucky, he tells her sometimes, and she snuggles up to him and plants tiny kisses all across his chest. Very lucky. They lie to you out there, love. They teach you a silly shining dream and they tell you to believe and chase it and they tell you that for you, for everyone, there is someone. But it's all wrong. The universe isn't fair, it never has been, so why do they tell you so? You run after the phantom, and lose, and they tell you next time, but it's all rot, all empty rot. Nobody ever finds the dream at all, they just kid themselves, trick themselves so they can go on believing. It's just a clutching lie that desperate people tell each other, hoping to convince themselves.

But then he can't talk anymore, for her kisses have gone lower and lower, and now she takes him in her mouth. And Trager smiles at his love and gently strokes her hair.

Of all the bright cruel lies they tell you, the cruelest is the one called love.

3 DUVALIERS DREAM | The Living Dead | Deadmans Road by Joe R. Lansdale